In April a few people from Tempe (including Pat Maclane, Alex Stiger and Halley Tollner) started coming down to climb at the Beaver Wall after seeing much of the hype from the previous seasons. I met up with them as I don’t get to see them often and got back on some lines I had already done. Nearly re-sending Rage to Live 5.13a/b and Hebe 5.14a on my first goes with little to no warmup started to bring back the possibility of a project I’ve had in the back of my mind for quite some time- sending all the sport routes on the Beaver Wall. I started working on what is currently THE line on the Beaver- Alex Kirkpatrick’s Chains in the Grove 5.14a. This route starts on Trapezoid 5.13b, climbs through both cruxes and then moves a few feet right to link into the hardest moves of Hebe. A linkup, yes, but a very mega linkup of two of the mountain’s proudest and best lines.
From the start, I knew Chains was going to be a battle. Though I had already done both lines, the full rig was a different beast. Hebe’s start was somewhere around 12d or 13a to the glued flake rest before the very long crux sequence (where one links in from Trapezoid) and is fairly easy to dial in and make extremely efficient. Trapezoid was different- not only was there somewhere around 15 or 20 more feet of climbing, but the dual cruxes demand far more power than the bottom of Hebe. Moves I fell on maybe once in the process of sending Hebe suddenly became major obstacles. This awareness, however, kept me fairly sane during the time spent building up the route-specific endurance required to send, despite some very frustrating punts (including one from the move after Hebe’s infamous deadpoint crux at the very end of the route).
It would be some time before I sent, but the day it finally went down was one of the best days of my life. James was back from Flag, and in the morning we headed up with a few friends to rig the Old Man Gap highline for old time’s sake. With clear skies, we drove to Windy Point (with my friends Nadine and Morgan and I rapping along to the dope verses of the Flatbush Zombies), where a singular small cloud sat over the area. It began sprinkling as we organized gear in the parking lot, and as we rigged the line the rain and wind grew until we were getting pounded by hail and snow in a bizarre twist of weather for late May in Tucson. We left the line half-rigged to hide in a small hole in the rock, where we stayed until the precipitation stopped an hour later (and joined by Thomas Barcom). We finished rigging under somehow-sunny-again skies and, constantly joined by more and more friends, had the most fun I’ve ever had during a highline session. At some point or another during the day, we had everyone from an extremely experienced highliner from Phoenix (Jared Marvel) walk the line, to Tyler Meester’s first successful highline mount and partial walk, to several total newbies scooting out to experience the exposure while sitting and hanging from the line (even prolific Tucson first ascentionist Eric Rhicard, who was climbing nearby, gave it a go!)
A couple hours after the Beaver Wall went into the shade, I packed up my climbing gear and headed over with some of my oldest and closest friends- Sean Campbell and Sammi Visbal- and much newer ones including Abby Volkmann, Tyler Meester and Hannah Lily Hall leaving a few to continue raging the line. In one of my best days of climbing ever, I laid the rope out, tied in, pulled on my trusty Mad Rock M5’s and fired it first go of the day. Tyler got some spectacular photos and I returned to the rest of the crew at the OMG after hanging out with Sean and Sammi a bit longer. I was floating on a cloud, and though the day did have to come to an end, I took another walk on the line to celebrate before we derigged. Huge thanks to Mad Rock- the M5’s killed it on yet another Tucson granite testpiece- and to Stone Crush Gear, whose pants provide unrestricted motion and great abrasion protection perfect for both slacklining and sending.